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Scores Choral Score 2 Equal Voices

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15.10 EUR
Un horizon inconnu
Composed in 2016, the Cantata Les vents, la houle, l'horizon was commissioned by the "Pôle Choralies Normandie À Cœur Joie", on the initiative of Emmanuelle Pascal-Falala.
Each of the three parts of the work is intended for a different formation: a chamber choir to begin with, then a children's choir to end with a large choir to which the chamber choir and the children's choir are added. The voices are accompanied by a piano and one or two percussionists.
The theme of inspiration is the ocean. The composer has chosen poems by Yves Prié, taken from his collection Passages des amers (published by Rougerie), thus continuing a fruitful collaboration that began nearly twenty years ago.
The vocal writing is essentially lyrical. But it is an intimate lyricism which favours the medium and low tessitura of the voice, the richest in emotion, the most respectful of words. The high notes appear to give the choir more brilliance, as in the first part on the word light, or in the third part to underline this ascent towards the elsewhere.
The piano is mainly used to create shades of colour or to suggest the rippling of water.
Among the percussion instruments, the timpani stand out, in the 2nd and 3rd parts, whenever it is a question of letting a restless shadow float or deepening the sense of mystery. But they also contribute to the vigour of the final peroration. The vibraphone also occupies a preponderant place.
Each of the three parts can be sung separately. However, the cantata is designed to form a whole, with a continuity of tonality, pulse and motives, without exact similarities, but in such a way as to create a timeless and dreamlike atmosphere.


Les vents, la houle, l'horizon (The winds, the swell, the horizon)
Cantata by Anthony GIRARD for mixed choir, choir with equal voices, piano and percussion upon poems by Yves Prié.
Commissionned by Choralies Normandie - À Coeur Joie

I - Entre ombre et lumière (Between shadow and light)
For mixed choir, piano and two percussionists
Poem by Yves Prié
Duration: 6' 20

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II - Un horizon inconnu (An unknown horizon)
For choir with two equal voices and piano (Timpani and rattlesnake ad libitum)
Poem by Yves Prié
Duration: 5' 45
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III - Passages pour un ailleurs (Passages to elsewhere)
For mixed choir, piano and two percussionists
Poem by Yves Prié
Duration: 6'

Total duration: 18' approx.

Percussion Nomenclature :
I: Large suspended cymbal, vibraphone, tam-tam, triangle, rolling case
II: Timpani (2), rattlesnake (do4)
III: Suspended Cymbal, Vibraphone, Timpani, Crotal (Bb4)

3.40 EUR
Veni creator - Franck - SA
César Franck composed this song in 1872. It first was a duet for tenors and basses accompanied on the organ. He arranged it for two equal voices in 1876 for the choir school of Saint-Clotilde Church in Paris. He was a tenured organist for many years. The structure is divided into three parts. The first one is slow and majestic with an alternation on “Veni Creator Spiritus,” the middle part is livelier, and the last part reminds the alternation of the first one. It can be performed by experienced youth choirs or female choirs who want to sing this rich repertoire of the 19th century.