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Scores Choral Singing 4 Mixed Voices

Éditions À Cœur Joie
Our scores
partition chant chorale 4 voix mixtes

Find repertoire for your choirs : 4 mixed voices (and more) 

Éditions À Cœur Joie, specialistes in choir works, offers a wide range of scores for 4 mixedvoices choirs. You will find in this section scores fitted for all needs and all levels. simply choose your music among an amazin grange of styles, times and origins from Renaissance to contemporary works, jazz, pop, etc. You will certainly find the music you need for your 4 mixed voices Ensemble or Choir.

Those scores are available for sale, some instrumental materials are on hire : just contact us.


We also propose scores for equal voices or 3 mixed voices : discover them now ! Need guidance to choose a 4 mixed voices choir work ? Feel free to contact us :

2.20 EUR
Il est né le divin enfantThis is a Christmas carol from the 18th century. This is probably the French Christmas carol which is most famous and also the most sung. You should perform it with a moderate 2 time beat, and it would be similar to hunting horns of the 18th century.
2.20 EUR
Il estoit une filletteThis song was published around 1540 by Pierre Attaingnant in Paris and by Jacques Moderne in Lyon. It was instrumentally transcribed many times. The choreographic structure was perfect for dancing. Clément Janequin only used the first stanza of a long text published in several collections of popular unaccompanied music. The composer wanted to write a lively narrative text. The melody is quite simple and is only composed of a homophonic counterpoint. You only have to liven it up with the desire of telling stories. This song is intended to be performed with a feeling of detachment of one who sings for his own pleasure and enjoys sharing with some other people.
4.90 EUR
Il était une bergèreThis work won the 1st prize in composition competition for Tour’s Florilège Vocal International, 2009. “Counting rhymes and little songs are fascinated to work on. They constitute the basis of our repertoire and the fundamentals of our proper musical education. I chose to work on this counting rhyme in particular because there is a bit of dramaturgy, precised characters, exploitation of onomatopoeias, and also this both funny and cruel side often presented in counting rhymes.” Mathieu Le Nestour was born in 1979. He is a singer, a pianist, a composer and arranger, but he also teaches current music singing and is the assistant manager of “Voix en scène” workshop at Conservatoire de Villebon-sur-Yvette. He accompanies many artists like John Sims, Agnès fait sa b.o, Ronald Becker, Electric band, Les Voisins Du Dessus, Tape m’en cinq, etc. He is part of many young audience shows like “Le Comptinobook” (creation and performance), “Les histoires pressées” (creation and performance), “Aimé et la planète des signes” (musical direction). He mostly writes for choirs and vocal ensembles, and he also creates sonorous illustrations or jingles. He was part of many recordings as an instrumentist or a composer for Naïve Records, Prenez Place, L’air de rien, etc.(Translated from French)