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Scores Choral Singing 4 Mixed Voices

Éditions À Cœur Joie
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partition chant chorale 4 voix mixtes

Find repertoire for your choirs : 4 mixed voices (and more) 

Éditions À Cœur Joie, specialistes in choir works, offers a wide range of scores for 4 mixedvoices choirs. You will find in this section scores fitted for all needs and all levels. simply choose your music among an amazin grange of styles, times and origins from Renaissance to contemporary works, jazz, pop, etc. You will certainly find the music you need for your 4 mixed voices Ensemble or Choir.

Those scores are available for sale, some instrumental materials are on hire : just contact us.


We also propose scores for equal voices or 3 mixed voices : discover them now ! Need guidance to choose a 4 mixed voices choir work ? Feel free to contact us :

2.20 EUR
In monte oliveti oravit ad PatremThese scores can be performed for liturgy as well as for a concert. The composer was inspired by plainsongs and composers like Tomás Luis de Victoria, Francis Poulenc, Maurice Duruflé and Arvo Pärt. It can be performed by every choir. Franck Villard was born in 1966. He is a conductor, a pianist, and a choirmaster. He studied at the Conservatoire de Grenoble and won several prizes. He also studied musicology at the University of Grenoble and at the Conservatoire de Paris. He conducted operas in several places. He became Michel Plasson’s assistant for the Orchestre National du Capitole de Toulouse and Wiener Konzerthaus.
2.20 EUR
In omni tribulationeJean Mouton was a composer who served the Queen Anne of Brittany. This sheet music is easy to play but the contrast between the four-voice homorhythm and the bicinium has to appear clearly.
3.50 EUR
In these delightful pleasant groves“A Single Song, In the Libertine” is a four-section piece. The only text appears in bass part but by studying the composition, we can say that it was probably thought for being a chorus. “The Libertine” is indeed a divertimento of two airs (ensembles and choirs) which was composed around 1692 and based on a T. Shadwell’s text. It can be easily compared to fifty or so works which belong to the same genre and which were written between 1680 and 1695 for theatrical performances. There are two points we have to respect to give to this piece a pleasurable sensation of happiness: distinction in diction and flexibility in representation of vocal lines.