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| |  This is an extract from the internationally known musical “Hair” created in 1967 in Broadway and adapted into French two years later by the author Jacques Lanzmann. Milos Forman realized in 1979 a movie version transformed into a French play by Jacques Rosny in 1998 which was performed in theater Mogador, Paris. In that extract, Norbert Ott has reproduced the original music richness through a progressive choir writing at the end of the score. The chorus is repeated 6 times; begins with 2 voices then continues with 4 voices including other version for alto, tenor and basses parts. We also suggest you “Manchester England” (No. 91) as well harmonized by Norbet Ott. |
| | |  Three compositions on Verlaine’s poems |
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| | |  Here is the very famous Ludwig Van Beethoven’s “Für Elise.” Every pianist tries it once and sometimes very misplays it. Through her performance, Anne Sylvestre glorified it and gave it a soul. Perrine Cutzach realized a skillful arrangement, and choral conductors would enjoy it for adding a little fun in their program. |
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