| | op.90 (2016)
For children choir, soprano solo and accompaniment, CHANTS DE LA VIEILLE FRANCE is a work written by Dimitri Tchesnokov, after Julien TIERSOT's collecting work, who has transcribed the songs and melodies of french traditionnal songs from the 13th until the 17th century and realized some harmonizations.Melodies and texts are faithfully those of Julien Tiersot's transcription.Some elements of the harmonization have been kept in the present work by Dimitri Tchesnokov. |
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Teaching sheet sold individually |
| | |  Suite of 5 songs by Lucien Jean-Baptiste. Western composition favored the vertical music conception. During rather four centuries, musical creation was dominated by major and minor tonal richness and by harmonic chords and cadenzas. Modal style and counterpoint were left as an ancient memory of the linear conception.These five musical and philosophical propositions are no pastiche of ancient music nor school exercising. There have three targets: to feel the modal’s charm, to enjoy the devices of a simple polyphony with two voices but also to enjoy the fine details of these combinatorial musical lines. The talent of the writer-philosopher Montaigne (1533-1592), a contemporary of these two musical genres, could only serve this project admirably, as the aphorisms selected from the Essays lend themselves to several levels of understanding.
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Clarisse au Pays du Swing, libretto by Fanja RAHAJASON on fables by Jean de LA FONTAINE, set to music by Pierre-Gérard VERNY for choir with 1 or 2 equal voices, soloists and jazz trio.
The story takes place in Jazzyland...A little girl, Clarisse, an orphan, raised by her aunt Ella, is looking at a picture book, sitting at the foot of a tree. Tired, she falls asleep slowly. She will then have strange adventures ....
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