Crucifixus (Missa Gaudeamus) (Tomas Luis Vittoria/ Jacques Barbier )
Benedictus (Missa Gaudeamus) (Tomas Luis Vittoria/ Jacques Barbier )
Tomás Luis de Victoria’s Missa Gaudeamus is written with different registers, and the polyphony is defined by the number of voices. This sheet music is based on two extracts from the Credo and the Sanctus. These two sections are often used by composers. The writing is ductile and fine. The four female voices keep the melodic balance and the contemplative aspect of the sheet music.