The piece by the Romanian composer, editor of the Editio Musica Budapest, theory and composition professor at the Liszt Academy of Music, is very descriptive; the minor second intervals, augmented chords, and chromatic scales represent the artifice the devil uses to deceive and seduce the honorable heart. The text is taken from an anonymous medieval Goliardic text "Anonymi Hungari affectus in Jesum super omnia amabilem".
