|Discount on quantity|
he collaborative work between poets and composers will be materialized in 1570 with the creation of “académie de poésie et de musique” moderated by poet Jean Antoine de Baïf and composer Thibault de Courville. The works by Claude Le Jeune are the last ones of the century to adapt the french metric of the verses on the ancient greek and latin poetry, incorporating also the last researches on chromaticism. This is the case with Qu’est devenu ce bel oeil, one of his antic mesured song. The music is evolving to the point that, in its submission to the poetic text, the barlines are only to mark the separation between verses, the pulsation being always at the white.