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Come and revisit Michel Fugain's songs through the Suite Fugain arranged for choir, equal voices and piano by Gilles Massart . The Suite Fugain is a collection of Michel Fugain's main hits grouped around several strong themes: nostalgia, celebration, hope, life and destiny. |
| | |  First prize in the composition contest at the IXè Rencontres Internationales de Chant Choral de Tours 1980.
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“Le Magnificat BWV 243” is one of Johann Sebastian Bach’s major works. It was written between 1728 and 1731 for the Visitation. It is based on a Latin text and can be performed by five voices.
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Here is a song taken from the American repertoire which became a very famous jazz standard. Immortalized by the crooner Nat King Cole, it was covered by many artists around the world (Frank Sinatra, among others...). It is Mimi Perrin, in the 50's with her vocal group "Les doubles six" who gave the first French polyphonic adaptation based on an arrangement by Quincy Jones. There are currently few arrangements for choir of this piece. Also a mixed voices version, with 3 parts (ref. ACJ 24060). The arrangement by Pierre-Gérard Verny is not difficult and is published with both texts (English and French), which will allow choirmasters to choose the most suitable version for their group. The accompaniment is composed for jazz trio (piano, double bass, drums) but can be done, without changing the character of the piece, on piano alone.
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