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| | | The texts of those Two motets are expression of sorrow. The music reflects this controlled, privately sorrow. Intimate. Spiritual. The interpretation thus must be supple and restraint, strech time and dedicate silence, to let the audience access to the authenticity of this particular emotion. Commissionned in 2005 by “Ensemble vocal de la Chartreuse de Bonlieu” (Jura, France) |
| | | Federico Zandonà teaches composition at the Conservatorio di Verona, Italy. These two motets were composed in Vicenza in 2006 and 2007. The harmony is moving, and dissonances and counterpoint are delicate. They can easily be played by every choir. |
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