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Ces Trois chants Sacrés ont été écrits par Carlo Gesualdo di Venosa en 1603. Il sont ici repris et harmonisés par Igor Stravinski pour chœur à voix mixtes (SATB).
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“Tri Martolod” was made famous by Alan Stivell and covered by Nolwenn Leroy. This is an original SATB arrangement. This traditional Breton song begins with light verses and continues with energic fugatos. It ends up in a festive and happy atmosphere with every voice in unison. Many many verses exist for this song, but seven were selected for this version keeping a coherent narration. A French version is suggested for the performance.
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| |  Été 1850 (Eric Noyer/ Eric Noyer)
Automne 1915 (Eric Noyer/ Eric Noyer)
Hiver 1960 (Eric Noyer/ Eric Noyer)
Printemps d'avenir (Eric Noyer/ Eric Noyer)
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This is a cantata divided into four scenes. It is intended for standard mixed choirs, children’s choir singing in unison and pianos.
The tree is the main character of this cantata. He is the witness of life stages. He is standing there during the summer, carrying many fruits. He is standing there for St. John’s Eve. He is standing there during fall, after his foliage left. He hears the exhausting minors’ works deep down the earth. He is standing there during winter, when he is completely stripped. He is standing there until being uprooted in order to build a supermarket. In spring, he rises again through his seeds. That’s how the poetic atmosphere depicts the cycle of years.
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