| |  “Tutto lo di” is similar to villanelles and morescas. It requires a lively diction of the Italian language Orlando di Lasso enjoyed so much. The melody helps to understand the text. It is mostly written in homorhythm. Two other songs from the same collection published in 1581 by Le Roy et Ballard are famous: the canon for choirs “Eco” and the moresca “Matona mia cara.”
|
|
| | With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into wider
Minimum delivery time 2 to 3 weeks.
|
|
| |  Mariano Garau is an Italian composer. He composed this simple and beautiful Ubi Caritas which is perfect for sacred repertoires. It is short and can easily be used at the end of a concert for an encore.
|
|
| |
Ubi Caritas original composition by Thomas Moreau for four mixed voices SATB a cappella.
The talented composer Thomas Moreau gives us here a music of great clarity, drawing the deep meaning of "Caritas", translated simply as charity in French but meaning love of neighbor as taught by Christ. This piece will find its place as an antiphon for the liturgy but also for concerts, charitable or not. |
|