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Scores Choral Singing for more than 3 Equal Voices

Éditions À Cœur Joie
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partition chant chorale arrangement 2 voix

Discover our sheet music for 4 (and more) equal voices ...

Éditions À Cœur Joie at your side to help you find  some sheet music written or arranged for 4 equal voices choirs : ancient music, classical, contemporary, jazz, traditionnal songs and pop, world etc. We offer a comprehensive repertoire of choir musics for 4 equal voices. Enjoy a wide repertoire available online : our sheet music for 4 equal voices choirs are available constantly and quickly thanks to our Print-on-Demand process !

Our musics will suit upper voices choirs : women ensemble as well as children choirs ; if you need a piece for a contest, check our catalogue !

Remember : we publish new musics all year long to offer a renewed repertoire for your choirs and ensembles. For more information about our musics for 4 equal voices, just contact the specialists in choral singing : we know our catalogue, you know your choir, let's find the perfect match together ! 

Are you looking pieces for 2 equal voicesor 3 equal voices musics ? Our catalogue is full of wonderful choir music ! Discover them now !

4.90 EUR
Notre-Dame-de-la-joieMichel-Maurice Lévy (1883-1965) was born in Ville d’Avray. He was a conductor and a composer. He studied at the Conservatoire de Paris and then was a choir master and conductor in different theatres in Paris. He composed several works, e.g a Te Deum, melodies, operas arias and comic operas – including Psyché, Le Petit Navire, Dolorès, Moïse – operettas, a ballet and symphonic music. Georges Hacquard was married with Juliette Hacquard and he was the director of the “Ecole Alsacienne de Paris”. This singing “Notre Dame de la Joie”, was part of the “Petits Chanteurs à la Croix de bois’” repertoire when Monseigneur Maillet was the conductor.
7.00 EUR
Nyx/ ScopolamineNyx (Jérémie Germain/ Catherine Pozzi)
Scopolamine (Jérémie Germain/ Catherine Pozzi)
3.50 EUR
O quam suavis estThe motet was composed for the Pentecost week and the text comes from the First Verpers of the Feast of Corpus Christi. This singing is for equal voices vocal ensembles with experiences. Pierre Villette was born in Duclair (France) in 1926. He studied at the Choir school of the Rouen Cathedral (1932-41) and at the superior conservatoire of Paris (1941-1949) supervised by the monks Jean and Noël Gallon, Henri Busser, Félix Passerone, Louis Fourestier and Norbert Dufourcq. In 1949 he won the Second Grand Prize of Rome for musical composition and become the director of the Conservatoire of Besançon (1957-1966) and Ais-en-Provence (1967-2000). Since 1977, he has been the honorary president of the National Association of Conservatoire’s managers. Besides his cantata, “La Résurrection de Lazare” (Competition of Rome in 1949), he composed many different works for different orchestral training, a mass and many motets for choir. So far, in November 1995, he finised his opus number 80, Panis Angelicum, his 18th motet. Pierre Villette, respecting the French tradition, tries to contribute to the heritage of his predecessors. He is against trends and groups so that he sets the stage using harmony and then some variations and orchestration. The rhythm sets the cadence of the music. Finally, the melody is a key element which is the base of the harmony to convey the author’s authentic though.