| | 
47 melodies are gathered in this collection intended for one or two voices for your physical and rhythmic training with the piano. It can be performed by choristers of any age.
This collection is not a textbook but a collection of songs written in three-four time (3/4 or 9/8) connected with four-four time into the first and the second booklet. Several tracks can be explored. With those songs you can understand the different rhythms during physical training and improve your staging. The structure of each song was reduced to shorten the learning. This way you can think to the interpretation. You need a complete physical and rhythmic commitment and by feeling the story and the atmosphere of the song, you’ll be able to feel the right feeling.
|
|
| | 
49 melodies are gathered in this collection intended for one or two voices for your physical and rhythmic training with the piano. It can be performed by choirs of one, two or three voices choirs of any age.
This collection is not a textbook but a collection of songs written in three-four time in the third booklet. They are connected with four-four time into the first and the second booklet. Several tracks can be explored. With those songs you can understand the different rhythms during physical training and improve your staging. The structure of each song was reduced to shorten the learning. This way you can think to the interpretation. You need a complete physical and rhythmic commitment and by feeling the story and the atmosphere of the song, you’ll be able to feel the right feeling.
|
|
| | 
This book was published by Jacques Viret.
This is an overview of the historical, theoretical and musical data we know about the origins of the Western polyphony to the 11th century. This period of time is little known but musically rich. A long study and musical texts are gathered in this book. The musical texts can be sung but there are also in the book to complete the historical and theoretical explanations. The practical section with the scores is an association between transcriptions and reproductions. This book is the first of its kind. The approach, the notation, the research and knowledges are new and make this book a reference book. 24 scores reviewed and commented.
|
|
| | 
This is a selection of 12 scores for one to four voices. The interpretive transcription is commented and annotated and there is a detailed study about the École Musicale de Notre Dame and its historical and cultural context and the Parisian polyphonic songs performance. This work requires great scientific knowledges for non-specialists.
|
|
