| | |  Although it is not necessarily an end in itself, the introduction to intonation must be done in a methodical way, as soon and as seriously as possible.
Many singers often find themselves unprepared for even modest numbers. One of the ways to overcome this lack is of course to practice an instrument in conjunction with vocal studies, to practice ensemble music (vocal ensembles, choirs, one per voice etc...).
This should not prevent a constant and personal work in order to progress, to allow the discovery of new repertoires, to work better and faster, in short, to be indecisive in front of a score. |
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Let's be clear from the outset... You don't learn music through methods, treatises, books and ... "Inventions" (even if those composed by the genius J-S. Bach go far beyond the simple pedagogical aspect). One needs the benevolent and attentive help of a teacher, himself trained and experienced in the disciplines he teaches. It also requires a patient and humble practice which does not hesitate to question itself...
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This work on Gregorian modes is intended for professional and amateur musicians. It is accessible, detailed, lively and complete. It is written from a musical point of view, but medieval documents were also used and the results of this research can be understood by non-specialist readers. |
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