It is the second part of the motet “Resonet in laudibus” and this section can be sung by 3 equal voices (originally it was sung by men performing with lower octave). It keeps the same balance of the other parts. We can hear this jubilation in the vocal exercises (“natus”, “virginem”), in the endless imitations on the word “apparuit” and since the beginning, this melodic-rhythmic motif of the term "hodie", very close to fanfare ringtones.
