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This is a traditional singing from Tarapacá, North Chile.
This sheet music can be performed by many choirs, but you should be careful to the rhythm because the 3/4 time is often associated with 6/8. You can accompany on the guitar, charango, bombo legüero, kenas (Andean flute), transverse flute, or with string instruments and drum. Jean-Michel Cayre was born in 1949 in Lyon. He learned how to play the piano with Fernando Via, who was himself a student of Granados. He studied at Conservatoire d’Art Dramatique de Lyon then at Conservatoire International de Musique de Paris.He is an instrumentalist who’s specialized in playing the instruments from the Andes. He has been a part from the ensemble Los Chacos since 1965; they won the International Grand Prix from Charles Cros Academy, and they recorded 12 albums and appeared on international stages. He did work together with famous French artists like Richard Anthony, Michel Legrand and Charles Trénet. He is a teacher at ENM de Villeurbanne, and he created the first European workshop of Andean instruments in 1979. He also wrote about sixty compositions for plays, ballets, movies, TV series and radio.
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This is a pretty light melody from South America. It can be accompanied on the guitar to give a dancing atmosphere. You should be careful to respect the rhythmic figure sixteenth-eighth-sixteenth-note.
Jean Bernard Fourcaud was born in 1953. He is a musical education teacher. He has been a part of the choir À Coeur Joie du Puy en Velay since 1971 which he has been conducting for a few years now. He is also a part of the band Javeiros. (Andean music)
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Tomás Luis de Victoria (1548-1611) is the only composer of his time who only composed church music. He first was a Kapellmeister and then a chaplain. He wanted to compose polyphonic music for every liturgical circumstance of the calendar. He published a collection of sheet music for every service of the Holy week, entitled “Officium Hebdomadae Sanctae.” Psalms, Lessons and Responsory are gathered in groups of three named the Nocturnes. “Caligaverunt oculi mei” is the Responsory of the third Nocturne of the Holy Thursday. The composer scrupulously followed the continuity defined by the Church. The outline is on the last page of the sheet music. Those songs are based on the writing of a mystic contemporary composer of Teresa of Ávila or John of the Cross. They are austere and concise.
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