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Scores Choral Singing 4 Mixed Voices

Éditions À Cœur Joie
Our scores
partition chant chorale 4 voix mixtes

Find repertoire for your choirs : 4 mixed voices (and more) 

Éditions À Cœur Joie, specialistes in choir works, offers a wide range of scores for 4 mixedvoices choirs. You will find in this section scores fitted for all needs and all levels. simply choose your music among an amazin grange of styles, times and origins from Renaissance to contemporary works, jazz, pop, etc. You will certainly find the music you need for your 4 mixed voices Ensemble or Choir.

Those scores are available for sale, some instrumental materials are on hire : just contact us.


We also propose scores for equal voices or 3 mixed voices : discover them now ! Need guidance to choose a 4 mixed voices choir work ? Feel free to contact us :

11.70 EUR
Cantate des commencements- Direction
This cantata for standard mixed choirs, solos, narrators and great organ is based on Genesis. It is divided into four parts: the prologue and three sections for the 7 days of Creation. You’ll need a choir, soloists (or great choristers), narrators and an organ.
The organ part is well thought. Joseph Reveyron is a renowned organist. There are some spoken singing parts. The whole score lasts approximatively 20 minutes.

8.60 EUR
Cantate des olympiques- Choeur
This is a cantata composed by Alain Langrée. It is intended for a standard mixed choir with a solo baritone and an orchestra. The lyrics are based on “Olympiques,” written by Henri de Montherlant. The “Cantate des Olympiques” lasts 20 minutes. The avant-gardism is precisely calculated, and the sheet music can be performed by amateur choirs but requires you to work seriously on it. There is one version for choirs and orchestras and the other for choirs and piano four hands.

3.50 EUR
Cantate Domino - D'indy
Cantate Domino, arrangement for four mixed voices choir SATB a cappella (organ ad libitum) by Pierre Calmelet. Original music by Vincent d'Indy.
3.50 EUR
Cantate Domino - Hassler
This is a famous sheet music and it was published many times during the 19th century. It is an extract from the sacred music collection “Sacri concentus 4, 5, 6, 7, 8, 9, 10 et 12 voci” which was published at the beginning of the 17th century. Hassler traveled to Venice to learn new things from A. Gabrieli. Italy inspired him to write this sheet music. The syllabic style enhances “Cantate,” “salutare” and “mirabilia.” This sheet music is a perfect example of binary and ternary equivalence. The soft swing to binary is realized through a rhythmic hemiola on 20 and 21 bars. Half notes are played with the same length but with a different beat. The ternary section is wider, and it corresponds to the text’s meaning.